"Vitkovac" has its own "H" (horizontal) and "V" (vertical) structure.

- Vitkovac H:
The core of this font is that all glyphs share one main line to which
alteration lines are added, which define the glyph. This enables the creation
of authentic ornamental typefaces that can serve as various graphic marks.
 
- Species division:
• By form (height): PERM and TITE;
• By weight: thin, regular, bold and heavy;
• By width: only PR;
• Utility: index and grid.

Given that all glyphs share one (main) line, we can make reading easier with
an index located exactly between the end of one and the beginning of another
glyph.
 
When the main line changes height, use the alternate glyph options to
automatically level the trailing glyphs. If there is no alternate option for
some glyphs, level them manually and report the deficiency to
avnojista@gmail.com.
Jump between variations by switching between lowercase and uppercase letters.
Choose the variation that brings out the best in the typeface you are working
on. Whether it's about technical correctness, whether it's about visual impact.
The letter "S" is the only letter that requires part of the main line to be
deleted in order for the glyph to retain its universality (feel free to reach
out if you come up with a solution for letter "S").
Written system is not noticeable at first sight, the encryption is present.
Technically, if we had a long line in front of us, by just adding additional
shorter lines up and down in relation to that main line, we can build sentences.
 
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-Vitkovac V:
 
As in many examples, here the individual aesthetics of glyphs were sacrificed
for the aesthetics of the overall composition. Separately quite awful, together quite nice.
 
-Species:
• By form: PERM and TITE;
• By weight: thin, regular, bold, heavy;
• Utility: INDEX.